Egon Schiele

1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.


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Egon Schiele Eros (mk12) oil


Eros (mk12)
Painting ID::  22081
Eros (mk12)
1911 Gouache,watercolour and black crayon 55.9x45.7cm
1911 Gouache,watercolour_and_black_crayon 55.9x45.7cm
   
   
     

Egon Schiele Cardinal and Nun (mk12) oil


Cardinal and Nun (mk12)
Painting ID::  22084
Cardinal and Nun (mk12)
1912 Kardinal und Nonnel Oil on canvas 69.8x80.1cm
1912 Kardinal_und_Nonnel Oil_on_canvas 69.8x80.1cm
   
   
     

Egon Schiele Seated Male Nude (mk12) oil


Seated Male Nude (mk12)
Painting ID::  22101
Seated Male Nude (mk12)
1910 Sitzender mannlicher Akt Oil and gouache 152.5x150cm
   
   
     

Egon Schiele Sunflower I(mk12) oil


Sunflower I(mk12)
Painting ID::  22105
Sunflower I(mk12)
1908 Sonnenblume i Oil on card 44x33cm
1908 Sonnenblume_i Oil_on_card 44x33cm
   
   
     

Egon Schiele Four Trees (mk12) oil


Four Trees (mk12)
Painting ID::  22117
Four Trees (mk12)
Vier Baume 1917 Oil on canvas. 110.5x141cm
Vier_Baume_ 1917 Oil_on_canvas. 110.5x141cm
   
   
     

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     Egon Schiele
     1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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